3-CCD Pro HDV Camcorder
High-Definition 1440 X 1080 Recording
•SDl I080i Uncompressed 1920x 1080 Output
• DIGIC DV || HD Color Process*
• Interchangeable Lens Mount
3 l/3″Native 16:9 Image Senses I
• Canon 20x HD 01.S. Zoom Lens ”
• Selectable 60i, 30F and 24F Frame Rates
• Dual XLR Mic Inputs with 48vP
• Time Code I/O and Genlock
3-CCD Pro HDV Camcorder
True 1080High-Definition Resolution Video at 60i, 30F or 24F Frame Rates 3x 1/3′Native 16:9 CCD’s with 1.67 Megapixels each External AF Sensor for Fast and Accurate Focus in HD 20x HD Professional L Series Fluorite Lens DIGiC DV ii HD image Processed 2.8″ Widescreen LCD Dual XLR Mic Inputs
3-CCD MiniDV Camcorder
• Interchangeable Lens System Camera • 24p/30p/60i Frame Rate Recording
• L-Series Fluorite Optical Lens
• 165 and 4:3 Switchable
• 3x 1/3″ 16:9 Progressive Scan Image Sensors
• 20x Optical Zoom Lens •2.0″ LCD with 200k Pixels
• Color Viewfinder with 200k Pixels – Dual XLR and One Mini Stereo Mic Input
3-CCD MiniDV Camcorder
Canon Professional L-Series    Fluonte Lens    3x 1/4″ Image Sensors     410k Pixels Each
• 20x Optical, lOOx Digital Zoom ? Optical Image Stabilization
• SD/MMC Media Card Slot
• Dual XLR Input with Optional MA-300
• Manual Audio Level Control
• User Custom Presets
• Analog/Digital Line-In Rec
HDV Camcorder
True HD CMOS ImageSensor (1920×1080)
1/2.7*Canon CMOS Image iSensor with 2.96 Megapixels DIGIC DVII Image Processing Genuine Canon HD Lens I Ox Optical, camera hd. 200x Digital Zoom RGB Primary Color Filter Optical Image Stabilizer Instant AF (Aulo Focus) for Fast Accurate Focusing Mini-SD Card Slot
• Hands On Mark shows how videog-raphers can use the trial version of Tiffen Dfx. which includes a multitude of common visual effects for both shooting video and post production. 7b add/view comments and for a complete list of URLs used in this episode’s stories, see Episode 65’s blog post.
deomaker Presents:
and Morgan Paar about how to get a show onto Current TV.
• Take 20: We showcase Her Eyes on the Goal, a sports video by Jeff Hillman.
• Hands On John explores Matrox’s MXO. 76 add/view comments and for a complete list of URLs used in this episode’s stories, see Episode 66s blog post.
Canon
Canon’s HDV equivalent to its XL family of DV camcorders is the XL HI ($8,999). Like the JVC camcorders, this camcorder also includes the ability to remove the lens and put another on. The XL HI also has a significant number of film-like image settings, and a Professional Jackpack (HD SDI, genlock, and time code output).
JVC
The JVC GY-HD200 ($8,995) is designed more for electronic news gathering (ENG), along with digital cinematography and other forms of videography. It is very similar to the HD110, but has more features, including the extra ability to record in 60p and 50p in HDV mode.
The GY-HD250 ($10,995) is also similar to the GY-HD200 and GY-HD110, and is the most professional of its ProDV camcorders. This camcorder features HD SDI, genlock and time code output.
The HVR-V1 3-CMOS camcorder offers both 1080 progressive and interlace capture. It can shoot in 60i, 30p, and also the very popular 24p, for film-style recording. The progressive signal is “packaged” into a 60i “stream,” meaning the final output is interlaced, while retaining the progressive look. This makes it easier for consumers with older televisions to watch the video without any problems. This is known as 3:2 pulldown. The VI is similar to the FX7, but has far more professional-style controls.
JVC
The professional JVC HDV/ProHD camcorders, including the HD110 ($6,550), offer 720p recording and the ability to switch lenses. The HD110 can record in 30p, 25p, and 24p while in HDV mode and 60p, 50p, 24p, and 60i in DV mode.
Canon
As described earlier, the Canon XH Gl ($6,999) is very similar to the XH Al and the higher-end XL HI, except like the HI, it offers HD SDI, Genlock, and Time Code output, known as the Professional Jackpack.
